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          #摘抄# 村上春树的世界 1
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        <h4 id="从看过阅过村上先生的第一本书——《且听风吟》之后我就爱上了他的风格。从今天下午刚刚合上《神的孩子全跳舞》以来，不知不觉间已经读了他的11本书。读他的书感觉不像看什么世纪大作那样让你感到恢弘震撼，也不像读某些感情深刻的文章让你流泪心碎，但你可以从他的文章那里嗅到太平洋的海风带来的微微腥味，可以看到咖啡馆天花板上徐徐旋转的复古吊扇，可以寻到一个心思缜密又永远有稀奇故事可讲的挚友在等你，那是一种别样的体验。下面是我做的一些摘抄，有些纯粹是文字优雅，有些则是颇有共鸣。希望大家喜欢。"><a href="#从看过阅过村上先生的第一本书——《且听风吟》之后我就爱上了他的风格。从今天下午刚刚合上《神的孩子全跳舞》以来，不知不觉间已经读了他的11本书。读他的书感觉不像看什么世纪大作那样让你感到恢弘震撼，也不像读某些感情深刻的文章让你流泪心碎，但你可以从他的文章那里嗅到太平洋的海风带来的微微腥味，可以看到咖啡馆天花板上徐徐旋转的复古吊扇，可以寻到一个心思缜密又永远有稀奇故事可讲的挚友在等你，那是一种别样的体验。下面是我做的一些摘抄，有些纯粹是文字优雅，有些则是颇有共鸣。希望大家喜欢。" class="headerlink" title="从看过阅过村上先生的第一本书——《且听风吟》之后我就爱上了他的风格。从今天下午刚刚合上《神的孩子全跳舞》以来，不知不觉间已经读了他的11本书。读他的书感觉不像看什么世纪大作那样让你感到恢弘震撼，也不像读某些感情深刻的文章让你流泪心碎，但你可以从他的文章那里嗅到太平洋的海风带来的微微腥味，可以看到咖啡馆天花板上徐徐旋转的复古吊扇，可以寻到一个心思缜密又永远有稀奇故事可讲的挚友在等你，那是一种别样的体验。下面是我做的一些摘抄，有些纯粹是文字优雅，有些则是颇有共鸣。希望大家喜欢。"></a>从看过阅过村上先生的第一本书——《且听风吟》之后我就爱上了他的风格。从今天下午刚刚合上《神的孩子全跳舞》以来，不知不觉间已经读了他的11本书。读他的书感觉不像看什么世纪大作那样让你感到恢弘震撼，也不像读某些感情深刻的文章让你流泪心碎，但你可以从他的文章那里嗅到太平洋的海风带来的微微腥味，可以看到咖啡馆天花板上徐徐旋转的复古吊扇，可以寻到一个心思缜密又永远有稀奇故事可讲的挚友在等你，那是一种别样的体验。下面是我做的一些摘抄，有些纯粹是文字优雅，有些则是颇有共鸣。希望大家喜欢。</h4><a id="more"></a>
<h4 id="村上春树《且听风吟》"><a href="#村上春树《且听风吟》" class="headerlink" title="村上春树《且听风吟》"></a>村上春树《且听风吟》</h4><p>38  章</p>
<blockquote>
<p>一切都将一去杳然，任何人都无法将其捕获。 我们便是这样活着。  </p>
</blockquote>
<h4 id="村上春树-《萤》"><a href="#村上春树-《萤》" class="headerlink" title="村上春树 《萤》"></a>村上春树 《萤》</h4><blockquote>
<p>死非生的对立面，而作为生的一部分永存。</p>
</blockquote>
<h4 id="村上春树-《再袭面包店》"><a href="#村上春树-《再袭面包店》" class="headerlink" title="村上春树  《再袭面包店》"></a>村上春树  《再袭面包店》</h4><p>序·远游的房间</p>
<blockquote>
<p>任何人一生当中都在寻找一个宝贵的东西，但能够找到的人并不多。即使幸运地找到了，实际找到的东西也已受到致命的损毁。尽管如此，我们仍然继续寻找不止。因为若不这样做，生之意义本身便不复存在。</p>
</blockquote>
<h4 id="村上春树-《挪威的森林》"><a href="#村上春树-《挪威的森林》" class="headerlink" title="村上春树 《挪威的森林》"></a>村上春树 《挪威的森林》</h4><p>第八章</p>
<blockquote>
<p>“同他交谈起来，时常觉得我总在同一个地方来回兜圈子。他以同一程序不断勇往直前，而我总是原地徘徊，并且空虚得很。一句话，就是人生观本身不同。”</p>
</blockquote>
<p>第十章</p>
<blockquote>
<p>“不要同情自己！”他说，“同情自己是卑劣懦夫干的勾当。”</p>
</blockquote>
<h4 id="村上春树-《国境以南-太阳以西》"><a href="#村上春树-《国境以南-太阳以西》" class="headerlink" title="村上春树  《国境以南  太阳以西》"></a>村上春树  《国境以南  太阳以西》</h4><p>第七章</p>
<blockquote>
<p>“一码事，这个世界和那个世界是一码事。下雨花开，不下枯死，虫被蜥蜴吃，蜥蜴被鸟吃，但都要死去。死后变成干巴巴的空壳。这一代死了，下一代取代之，铁的定律。活法林林总总，死法种种样样，都没什么大不了的。剩下来的唯独沙漠，真正活着的只有沙漠。“</p>
</blockquote>
<p>第十二章</p>
<blockquote>
<p>“非常遗憾的是，某种事物时不能后退的。一旦推向前去，就再也后退不得，怎么努力都无济于事。假如当时出了差错——哪怕错一点点——那么也只能将错就错。”</p>
</blockquote>
<h4 id="村上春树-《神的孩子全跳舞》"><a href="#村上春树-《神的孩子全跳舞》" class="headerlink" title="村上春树  《神的孩子全跳舞》"></a>村上春树  《神的孩子全跳舞》</h4><p>序  </p>
<blockquote>
<p>广播新闻：美军有不少人战死，而越南南方民族解放阵线方面也有一百一十五人阵亡。 女：“无名这东西真是可怕。” 男：“你说什么?” 女：“光说游击队死了一百一十五人是什么都搞不清楚的。根本不知晓具体每个人的情况——有没有妻子儿女，喜欢戏剧还是更喜欢电影，全都一无所知。只知道死了一百一十五人。” ——让·吕克·戈达尔《疯狂小丑》</p>
</blockquote>
<p>  泰国之旅</p>
<blockquote>
<p>您很漂亮，大夫。聪明、刚强，但看上去心上总像有一道阴影。往后，你要准备慢慢走向死神才行。若在生的方面费力太多，就难以死得顺利。必须一点点换挡。生与死，在某种意义上是等价的。</p>
</blockquote>
<p>  神的孩子全跳舞</p>
<blockquote>
<p>他闭目合眼，肌肤感受着皎洁的月光，独自跳了起来。深吸一口气，旋即吐出。一时想不起与心情吻合的动听音乐，于是随青草的摇曳和云絮的飘逸挪动舞步。跳舞时似乎有人从哪里注视自己。善也可以真真切切的感觉出自己置身于某人的视野之内，他的身体他的肌肤他的骨骸都感受到了，但那怎么都无所谓。管他是谁，想看就看好了。神的孩子全跳舞。</p>
</blockquote>
<p>  蜂蜜饼</p>
<blockquote>
<p>要写和以往不同的小说，淳平心想。天光破晓，一片光明，在那光明中紧紧地拥抱心爱的人们——就这样写小说，写任何人都在梦中苦苦期待的小说。但此时此刻必须先在这里守护两个女性。不管对方是谁，都不能允许他把她们投入莫名其妙的箱子——哪怕天空劈头塌落，大地应声炸裂……</p>
</blockquote>

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